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Multicolored Clay is made in Izucar de Matamoros, Puebla which is the cradle of the popular Mexican Tree of Life sculptures; the candelabra and incense burners decorated with fine lines that almost look like filigree are the best known items in this pottery style.
By the time of the Spaniards arrival Itzoacan was a large city populated by Mixtecos subjugated to the Aztecs to whom they paid a cotton tribute. It had a large market and was a crossroad between many commercial routes.
The Dominicans in charge of the town's evangelization founded a small church in 1528 and later, in 1552, Friar Juan de la Cruz began building the church and monastery of Santo Domingo de Guzman.
The monastery was finished in 1612 and became the town's native people parish. The Spaniards had their own parochial church called Santa María de la Asunción.
Izucar developed an active religious life encouraged by the foundation of the religious brotherhood of the Blessed Sacrament in 1652.
The religious activities and ceremonies together with other costumes boost the evolution of town's ceramic from pots and tableware to candelabra and incense burners.
The multicolored clay candelabra were used as a gift to newlyweds to ensure the couple would have many children and abundant harvests in their fields.
Incense burners are still used in the brotherhood celebrations which revolve around a silver platter that symbolizes the host. This plate is kept in each of the 14 neighborhoods of Izucar for one year.
Every month the plate is moved to one of the neighborhood houses selected to keep it. Every time the platter moves, a ceremony is held and the piece is purified with copal; the copal is burnt in a traditional incense burner and 12 incense burners are used during the year, one for each house where the plate is being guarded.
The plate changes neighborhood on Saint Peter and Saint Paul Day (June 29) known in Izucar as the day of brotherhood celebration. The platter is then taken to the Santo Domingo church where a mass is held; afterwards it is taken to the next neighborhood.
Once the plate is delivered in its new home a meal is offered. All the expenses of these celebrations are sponsored by the alms collected by the volunteers.
These traditions are at least 350 years old but the candelabra and the incense burners were not as intricately shaped and decorated as we know them today. The Izucar's multicolored clay has evolved over the years and most of these changes happened in the second half of the past century.
Aurelio, grandson of potters, began working as a child helping his parents. Born in the neighborhood of Santa Catarina Contla, Aurelio developed from the traditional candelabra and incence burners made for ceremonial purposes the sculpture known today as tree of life.
His colorful sculptures were decorated with leaves, flowers and birds on their branches; Adam, Eve and the Serpent on their main trunk and the Archangel Gabriel at their base.
For Aurelio pottery was a side job; he worked every day in his fields outside town, was a traditional healer and a musician. At first he sold his work locally but later merchants from Puebla City came to buy his art work that little by little became famous around the country.
Aurelio Flores son, Francisco Flores Sanchez helped him from an early age and after his passing continued making the famous sculptures in the same style which is considered now the traditional multicolored clay from Izucar.
Francisco inherited his father's farm and the talent for music; he worked in the farm every day and was part of a Mariachi band for many years. He passed away in 2006; his children did not continue the family's pottery tradition.
The founder of the Castillo family tradition was Catalina Orta Urosa. Her parents were potters but stopped working and dedicated solely to their farm. Once married and with 6 children Catalina, remembering the techniques learned from her parents began experimenting and made Day of the dead small figurines. She taught her children and 4 of them became potters:
Isabel runs her workshop with the help of her children and grandchildren. Among them grandsons Gregorio and Giovanni Mercado Morgan have began making pieces on their own. Their mother, Virginia Morgan Tepetla, makes trees of life, catrinas and Guadalupe Virgin figures.
His pieces have been collected by museums in Mexico, USA, Canada and Europe. Alfonso passed away in 2009 but his wife Marta and their children Veronica, Alfonso, Marco, Martha and Patricia Castillo Hernandez are still working.
The clay which comes in clods is hit with a mallet until pulverized and afterwards sifted in a sieve until powdered. The leftovers are set in a water pond to rot for about a week.
In a working table where the powdered clay has been arranged the mud that was previously sifted is added little by little mixing them both together. The mix is then cut in 8 pound balls and kneaded until it feels like dough. The balls of clay are stored covered with a wet cloth to prevent them from drying.
The clay is then ready to be sculpted; most pieces are hand coiled with a few exceptions like flowers and leaves that are sometimes made with molds. When the sculptures are done they are left to dry which can take a few hours for a small piece or a few days for a larger one. Once dried the pieces are taken to the kiln where they will be fired for around 6 hours at 850°C (1560° Fahrenheit).
The pieces are left to cool down in the kiln for about 16 hours; once out of the kiln they are polished to smooth their surface and painted with a coat of white acrylic painting.
At last the pieces are ready to be decorated with the traditional bold colors and fine motifs that characterize the multicolored clay from Izucar. Acrylic paintings are the choice of every artist. After being decorated the piece is coated with furniture varnish to avoid the colors from fading.