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Mexican Folk Painting is as varied as Mexican culture and like many other folk art styles in the country is a blend between Mesoamerican and Spanish cultures.
HistoryIn the Mesoamerican areas painting can be seen in buildings, codices, pottery and clothes. Beautiful remains of Mesoamerican painting can be seen in the murals in Bonampak, Teotihuacan, Cholula and Monte Alban.
Mesoamerican Cultures did not develop a complex writing system therefore they used codices filled with images, symbols and hieroglyphics as a way to preserve their History.
Mexican Folk painting inherited this Mesoamerican quality; the artistic form goes beyond its aesthetic purposes and becomes a chronicle of the painter culture.
Bonampak's mural fragment.
After the Spanish conquest, from the 16th to the 19th Century, painting in Mexico developed because of the need to decorate churches and monasteries.
Indian painters used European images and prints as a model to their paintings and created a new style called Indian Christian painting. Thousand of religious buildings were decorated by anonymous artists whose styles were very distant from the Spanish baroque.
Santa Maria Tonantzintla Church, Puebla.
The local Baroque was brightly colored, filled with flowers and fruits. Its human figurines were naïve and there were reminisces of the pre-Hispanic designs and forms.
In the 19th Century after the Independence war, Baroque style disappeared and was followed by a dull Neoclassic, but the folk painting did not disappeared.
Folk Painters were addressed by somebody that had experience a miracle to paint the event on a retablo, as a gratitude gesture to the saint that had made the miracle.
The retablo or ex-voto was hanged in the church next to the saint image. Many churches around the country are filled with retablos.
Their illustrations were about common people and their traditions.
Jose Guadalupe Posada with publisher Venegas Aroyo created The Calaveras, satirical epitaphs about the supposed death of politicians and celebrities.
Posada's best known illustration in this style is La Catrina, nowadays and iconic image in Mexico's Day of the Dead celebration.
Rivera mural fragment at the Cárcamo de Dolores, Mexico City.
Mexican Folk Painting has a strong tradition hence various painting styles were developed. Like every artistic form these styles evolve, sometimes into different techniques other times into extinction.
Here's a list of the most representative and valued folk art painting styles in Mexico:
Nahuatl Painting from the Balsas RiverIn 1962 Cristino Flores Medina and Pedro de Jesus considered pioneers in the Balsas painting style were introduced to Amate paper. On Amate the Nahuatl paintings evolved from colorful animals and flowers to intricate landscapes and scenes.
Folk Painters became chroniclers of their culture. From this school arouse internationally known printmaker and painter Nicolas de Jesus.
Amate Paper Painting.
Their artistic work is made for religious and magical purposes and is filled with symbols that have a special meaning like the sun, deer, eagle and snake.
Huichol artwork is done on wood planks or gourds varnished with beeswax and decorated with colored yarn or plastic beads, called chaquiras.
These pieces are decorated using different techniques such as gold outlined, etching and painting.
In Olinala the bigger pieces like chests are finely painted with the town's landscape; its streets, churches and houses decorate the outside and inside of the lacquered object.
The whole community takes part in making the religious scenes; some dye the sawdust while others draw the artwork and fill it with flower petals and sawdust.
The straws are dyed and carefully applied into a wood plank covered with beeswax forming landscapes, churches, houses or Pre-Hispanic gods among many other themes related to Mexican culture.
Popotillo art is made in Mexico City, Michoacan and Jalisco.
Popotillo art landscape.
Another use given to feathers is unique in the world, crafters would weave them to create patchworks that represented landscapes.
The Feather paintings survived the Spanish conquest but in the last century its making has dwindled. Nowadays only the Olay family from Tlalpujahua, Michoacan preserves this unique tradition.
Guillermo Olay's feather painting.
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